Showing posts with label YA fiction. Show all posts
Showing posts with label YA fiction. Show all posts

Pfeffer's Last Survivors Series

The Dead and the Gone (Last Survivors, #2)The Dead and the Gone by Susan Beth Pfeffer

My personal rating: 4 of 5 stars

Companion novel. I was never a fan of that term, however, I am now. “the dead & the gone” is cleverly done and taps into themes that young men clearly find interesting: survival, protecting one’s family, sticking to one’s morals in the face of adversity, the list goes on. Written from the third-person limited perspective, instead of the first-person narrations of the other two books in the series, it can stand on its own, or give the reader that deeper understanding of Pfeffer’s fictional world. I am a die-hard post-apocalypse fan, and this series is different in that it gives a bit more hope for our humanity. Most authors jump on the now cliché idea that humans become animals without society. Pfeffer has a little more hope/respect/naiveté about our species.

One of the best words to describe this series is “plausible”. It’s not a flashy word, not something you would think about standard YA fair and pick up because, well, it’s plausible. However, reading this series, and especially the first book, “Life as We Knew It”, I was forced to really consider how I might behave in the same situation. Then I wondered how the “big cities” differed from the country and if a male character would have handled things the same way. Fortunately, we don’t have to wonder, because in “the dead & the gone”, readers get just that.

Some readers looking for a grittier dystopian action-packed romp are in for a disappointment, this isn’t McCarthy’s “The Road.”. I think Pfeffer misses some opportunities to make some bold statements about religion, death, and society in this novel, but she does have some original thoughts and I enjoyed the companion novels better than the third, “This World We Live In” that brings all of the characters together.

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Opening Line: "At the moment when life as he had known it changed forever, Alex Morales was behind the counter at Joey’s Pizza, slicing a spinach pesto pie into eight roughly equal pieces."

Something Extra: Jackie Parker's interview with Susan Beth Pfeffer on her Interactive Reader blog and the series YouTube trailer:

 
Bottom Line: Over-all, this series was a great read. Definately a good selection for the classroom, and it will generate tons of things to discuss.  Girls and guys like this series, the companion novels are written from a female & male perspective.
 
Classroom Grade: A- (Life as We Knew It, the dead & the gone)  B (This World We Live In)

Anderson's "Twisted" - That's High School


My personal rating: 4 of 5 stars

I like Tyler Miller. Wait, no I don’t. Oh… yes I do. “Twisted” is kind of like this through the whole book. In some parts, Tyler seems very authentic and likeable (and sue me, I like my protagonists to be likeable). But he can also be very scary, especially as a first person narrator. Do we trust Tyler? Juvenile Delinquent Tyler? I understand that this is part of the point. But I found myself always wary of Tyler, and that kept me a little disconnected from the character. Tyler is searching for his identity, and so are we.

Tyler has issues with his father, and is isolated at school and home. This is a very authentic feeling for boys (frankly men, too) and I think anyone who has ever felt lonely in their life will appreciate these scenes. I had some issues with the middle and the end, Tyler is already ostracized on page one, even for the average reader, so ostracizing him further just didn't seem enough for me. Even Tyler is not entirely sure at points in the story if he did the things people are accusing him of. The turns him into a very unreliable narrator, and forces readers to analyze (maybe even over-analyze) every word he says. The story also diverts from the track of the love interest, and often that can conquer (read save) all, even for boys. Female bloggers tend to give this novel rave reviews. My students give it mixed. I am not raving, but I DO think this book has something to offer the male reading public.

Short chapters and an excellent use of white space, line breaks, and a gender neutral cover, all work well, so kudos to Anderson and Viking Juvenile for considering their audience. This is Anderson’s first attempt at a male lead, and in some places the authenticity is missing or seems forced, but on the whole, she gets it right enough.

The book broaches feelings that boys rarely access (mostly revolving about becoming an adult, and in this case becoming a man) and this book is a great avenue to explore those feelings. I wouldn’t say this is a “typical” guy book, however it has those elements, and maybe asks a little more of our young male readers, instead of just sitting them down with an action/sports novel.

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Opening Line: “I spent the last Friday of summer vacation spreading hot, sticky tar across the roof of George Washington High.”

Something Extra: Risha Mullins interviews Laurie Halse Anderson on her blog "For the Love of YA" and a interesting spicyreads.org YouTube interview.

Bottom Line: Give this book to students. Girls should like it and boys will be satisfied with its edgy feel and readability. It is a good example of realistic YA drama fiction.

Classroom Grade: B

Buy These Books! Or Else! –The Monstrumology Series

This blog was originally going to be a lament about the loss of one of the most literary YA series to grace the shelves of bookstores and classrooms this decade, The Monstrumologist series by Rick Yancey. Earlier this month, the series was cancelled by Simon & Schuster, and Yancey spoke about his disappointment on Leila Roy's Bookshelves of Doom blog. Then Stephanie Oakes from her Stephanie Reads blog started a campaign to save the series. Less than a week later, Simon & Schuster announced they would publish the fourth book, supposedly the last in the series (come ON Rick, PLEASE don’t stop…).

In anticipation if the third book, “The Isle of Blood”, it is time for those of you out there who love quality YA fiction to go out and buy the first two books anyway you can, and show up in HOARDS on Sept. 13 and buy “The Isle of Blood”. There is a lot of “buzz” out there about this series, but “buzz” obviously does not keep books in print, buying books does. I buy books all the time, from Barnes & Noble, several used bookstores where I live, and even Goodwill. I flood my classroom with books that matter (and some honestly, some that don’t). This fosters a culture of reading in the classroom that is second to none. I have five copies of “The Monstrumologist” in my classroom, and two at home. I loved “The Curse of the Wendigo” too, and have shared my personal copies with students who couldn’t wait for the library to get them in stock.

There is just enough of everything in the Monstrumologist series to make it cross over several genres, making it appealing to a broad group of readers. Speculative fiction has probably the broadest umbrella, but this is definitely for the horror/thriller aficionado, historical fiction fan, it has elements of steampunk and is deep in detail and grand in scope. This is a book written by a man, with male leads, that appeals to a male (and female) audience, and is challenging. If you are a fan of Young Adult Literature (and this IS literature) you MUST make room on your shelf for this amazing series. If you have “The Hunger Games” on your shelf, good for you, it’s great. Now, slide it over and make room for the Montrumologist series.

Monstrumology has been saved, for now. Make sure it stays that way, and in print, buy the books! Heck, buy the ebook, too! Tell your friends! Drive them to the store on Sept. 13th! Because if you don’t we’ll just be stuck with dreck that can be cranked out by plot engines, composed by computers and tapped out in ebook form, with someone’s “name” on it but no author required. There is a reason the industry is downsizing and book sellers are going bankrupt. Here is your opportunity to say, “Not today!”

"My Sword Hand is Singing" the Praises of the Nook...

I have been looking forward to reading something by Marcus Sedgwick for quite a while.  A galley copy of My Sword Hand is Singing has been on the top of the "To Read" stack but I just hadn't picked it up.  Then I bought a Nook, the e-reader from Barnes & Nobles.  I decided to combine these two enterprises, and read My Sword Hand is Singing on the Nook.  What a pleasant surprise, on both fronts.  The Nook was easy to use and navigate, and after about the tenth page, I barely noticed I was reading an digital book.

I was greatly surprised and delighted at the complexity and historical accuracy of Sedgwick's novel.  The strange vampire legends that Sedgwick cobbles together make for a compelling read.  The book is fresh in this time of vampire tripe and a quick read, yet had a very grounded feel to it.  The Gothic setting and authentic atmosphere adds an element of anxiety  for the reader, and an urgency to the plot.  Frankly, it reminded me of Michael Cadnum's The Book of the Lion, in the way the fantasy/historical fiction aspect of the novel is appealing, and are not wrapped up in the tropes of the genre.

Getting the Eternal Sunshine Girl

During the few days I was reading “Getting the Girl” by Markus Zusak, I happened to watch the film “Eternal Sunshine of the Spotless Mind” written by Michel Gondry, Charlie Kaufman and Pierre Bismuth.

The similarities are amazing. Both protagonists, Cameron Wolfe and Joel Barish are quiet, reserved individuals who escape into their journals to find meaning in their lives. Both characters fall in love with alternative style girls, Octavia and Clementine respectively, and the stories are interwoven with Neo-surrealist imagery and poetic language.

The “words” that Zusak uses at the end of each chapter exude a strangeness that is poetic and surreal. From page 171: “I imagine myself in a room, where some / shattered pieces are strewn on the floor, / in front of me. […] These pieces on the ground. / Are made of me.”

I really think Zusak’s book would make a great teen movie, especially if a director wove in some of this imagery. It would definitely take the teen movie to new levels, which is something the genre desperately needs. Gondry handled it masterfully in “Eternal Sunshine” and even incorporated images and words from Joel’s journal into the fabric of the narrative.

Wouldn’t it be great to take a great piece of YA literature like “Getting the Girl” and then making it into a cutting edge YA film?

Great book, great film.

Review - 33 snowfish - Adam Rapp

The Blurb: On the run in a stolen car with a kidnapped baby in tow, three kids with deeply troubled pasts and bleak futures struggle to find a place for themselves. They will never be able to leave the past behind. Yet for one, redemption is waiting in the unlikeliest of places.

With the raw language of the street and lyrical, stream-of-consciousness prose, Adam Rapp hurtles the reader into a world of lost children, a world that is not for the faint of heart. Gripping, disturbing, and starkly illuminating, his hypnotic narration captures the voices of two damaged souls - a third speaks only through drawings - to tell a story of alienation, deprivation, and ultimately, the saving power of compassion.

Opening Line: "On top of everything else, Boobie's got the clap."

The Review: “33 snowfish” is at the literary pinnacle of YA fiction. This is a novel that really takes to task some of our expectations about humanity. Physical and sexual violence are part of the lives of these characters, and it is told with brutal honesty and without a hint of sentimentality. He just tells it like it is for the characters he has created: A patricidal arsonist (age 17), a drug addicted prostitute (age 14), and an emotionally damaged former kidnap victim (age 10).

Rapp’s poetic (and often visceral) writing is peppered across every beautiful page and adds so much depth and lyricism to the text that one can get lost in a poetic turn of phrase and almost forget the horrible acts these characters are suffering through and participating in.

I have had a few days to think about this book, and I am still in awe. Rapp understands how to weave realism and lyricism together in a way that is unprecedented. I am saddened that this book has not received more acclaim, it deserves it. One can only assume that because of its violent content and risqué subject matter, it was quietly passed over as a contender for the major awards. This book appealed to me as a writer, and also as a reader.

Something Extra: Adam Rapp and Chris Lynch were interviewed in ALAN magazine by Ann Angel. They discuss violence in YA literature, and the importance of realism in YA fiction.

The Bottom Line: This is one of the best examples of what literary YA fiction CAN be. One of those books where you read it and just think, “Gosh, if only I could write like that…”.

Grade: A+

A Interview with Daria Snadowsky - Part 1

As part of an ongoing conversation about sexuality in YA literature, I interviewed author Daria Snadowsky about writing authentic sexualtiy in the YA novel general, and specifically in her own work, Anatomy of a Boyfriend

As a writer, how do you make a scene involving sexuality authentic? Or to put it another way, how does one write sexuality in a realistic, original, and literary way?

I’m not sure if there’s a bright-line rule for how to write a realistic sex scene because it depends so much on the story, the context, the narrator’s voice, etc. In Anatomy of a Boyfriend, realism was easily achievable because Dom, the main character, is an aspiring doctor. Consequently, Dom naturally thinks in clinical terms and describes situations in an open-minded, unbiased way as if she were performing an experiment on herself and penning a lab report. I’m not sure if the scenes would have worked as is had she not been a scientist.

In your opinion, what is the place of realistic sexuality in young adult literature?

I believe all YA literature is an ideal genre to include realistic depictions of sexuality because many YA readers themselves are beginning to have sexual experiences. And even if they’re “late bloomers,” they’re probably still thinking about sex a lot, so it’s important they have outlets to learn more about it. And since young people are often embarrassed to talk about sex with each other or with their parents, books are a wonderful, private way for readers to satisfy their curiosity and find kinships with nonjudgmental characters.

This type of literature is valuable for teens because it presents much-needed unromanticized accounts of the highs and lows of love and sex. When we grow up on fairytales like Sleeping Beauty and Snow White, it's perfectly natural for us to expect that our first loves will last forever and that we'll know exactly what to do when the lights dim. In contrast, Anatomy of a Boyfriend shows all the humiliation and disappointment and awkwardness (as well as the magic and wonder and peace) that's part and parcel of falling in love and being intimate.

Could you discuss your thoughts about the level of sexuality and detail you used in your book?

I remember back when I was a teenager, I was naturally very curious about "making out." What happens when? What will I feel? What will he feel? What will I be thinking? How do you do everything? Is it instinctual or is it learned? For better or for worse, so many books "fade to black" after the first kiss, so we never see what happens. Or if they don't, the intimacy is often described in very melodramatic, romanticized or euphemistic terms. And that's just not reality. So in this book, I wanted to demystify in an unabashedly honest, non-threatening and sometimes humorous way what occurs, physically and emotionally, during "hooking up." Judy Blume's Forever (1975) serves that purpose to a large extent, but I wanted to get even more detailed and graphic in Anatomy of a Boyfriend. And since Dom never had a sexual experience before, it makes sense that she goes into such a high level of detail when describing her physical experiences because they’re all so new and unexpected and exciting to her.

The social ramifications of sexuality tend to play a large part in the novel, as well as in many YA novels featuring sexuality. Could you comment on how you handled this in Anatomy of a Boyfriend?

Anatomy of a Boyfriend highlights not just the physical elements of intimacy but also the emotional elements, which, unfortunately, are often left out of sex ed classes in school. Dom’s decision to get physical with Wes didn’t just have physical consequences—it affected how she saw herself and her relationships with her family and friends. The most important line of the book is when she wonders to herself, “How is it that mankind can engineer condoms to prevent pregnancy and STDs but not be able to invent some sort of emotional safeguard? Is it even possible to abstain from falling in love?” Dom’s story demonstrates that although sex carries tons of physical risks, if we're careful, odds are we can avoid them. But there is nothing we can do to ensure we won't fall in love or be heartbroken. So for every line where Dom describes what happens to her sexually, I always followed it with an emotional description, because you can't separate the two.

Can you discuss finding a balance between being authentic and sensational sexuality?

Again, it depends so much on other aspects of the story, but I suppose one thing all authentic sex scenes have in common is that they’re not gratuitous--they service the theme and contribute to the characters’ development. In Anatomy of a Boyfriend, each sex scene depicts a sexual “first” and describes Dom’s reaction to it. We never see Dom and Wes do the same thing twice because it wouldn’t really add anything new and would only slow down the pacing.

Thanks, Daria, for your wonderful comments, and your willingness to contribute them. You are truly is an asset to the YA writing community.

Review: Anatomy of a Boyfriend - Daria Snadowsky


The Blurb: Before this all happened, the closest I'd ever come to getting physical with a guy was playing the board game Operation. Okay, so maybe that sounds pathetic, but it's not like there were any guys at my high school who I cared to share more than three words with, let alone my body. Then I met Wes, a track star senior from across town. Maybe it was his soulful blue eyes, or maybe my hormones just started raging. Either way, I was hooked. And after a while, he was too. I couldn't believe how intense my feelings became, or the fact that I was seeing—and touching—parts of the body I'd only read about in my Gray's Anatomy textbook. You could say Wes and I experienced a lot of firsts together that spring. It was scary. It was fun. It was love. And then came the fall. Daria Snadowsky's unflinching dissection of seventeen-year-old Dominique's first relationship reveals all the ecstacy and agony of love, and everything in between.

Favorite Line: “How is it that mankind can engineer condoms to prevent pregnancy and STDs but not be able to invent some sort of emotional safeguard? Is it even possible to abstain from falling in love?”

The Review: Daria Snadowsky set out to present a realistic portrayal of a young woman’s coming of age in Anatomy of a Boyfriend, and she succeeds. Dominique is a character that becomes interested in her own anatomy, after she meets Wes, who literally makes her heart throb. Snadowsky tackles every subject “in a responsible way” according to School Library Journal, from dental damns to orgasms from the female (and male) perspectives and de-mystifies many of the modern issues that Today’s teens are worrying about and dealing with. Snadowsky leaves no emotional stone unturned, either, Dominique experiences a wide range of emotion on her trip of discovery from bliss to crushing, gut-wrenching heartache.

A parallel and modernization of Judy Blume’s Forever, Snadowsky doesn’t allow the story to end during the summer, but takes Dominique off to college and shows the emotions of life “on your own.” A very readable book, with authentic scenes that detail the myriad physical and emotional qualities of young sexuality, Snadowsky gives us a glimpse of the curious, self-conscious, angst-ridden young adult.

I am surprised that this book is still somewhat “under the radar” though it did just come out in trade-paperback. Anatomy of a Boyfriend is bound to raise eyebrows in certain circles, but in the circles that count, (her YA reading audience) Snadowsky is right on the mark. Dominique is portrayed with such innocent curiosity, that it is easy for readers to empathize with her foibles, mistakes, and triumphs. Teens will want more of Snadowsky’s frank, believable narrative.

Something Extra: Whant to build your own boyfriend? You can at Random House here. Snadowsky is one of the many excellent writers that represent the YA market. She was kind enough to answer a few questions via e-mail interview regarding the state of sexuality in YA fiction, and specifically on her book, Anatomy of a Boyfriend.

Bottom Line: Teens (and adults) will devour this frank novel about a young girl and her exploration of sexuality and love, and the ups and downs of life.
Grade: A

Review: Nick & Norah's Infinite Playlist by Rachel Cohn and David Levithan

The Blurb: “It all starts when Nick asks Norah to be his girlfriend for five minutes. He only needs five minutes to avoid his ex-girlfriend, who’s just walked in to his band’s show. With a new guy. And then, with one kiss, Nick and Norah are off on an adventure set against the backdrop of New York City—and smack in the middle of all the joy, anxiety, confusion, and excitement of a first date. This he said/she said romance told by YA stars Rachel Cohn and David Levithan is a sexy, funny roller coaster of a story about one date over one very long night, with two teenagers, both recovering from broken hearts, who are just trying to figure out who they want to be—and where the next great band is playing. Told in alternating chapters, teeming with music references, humor, angst, and endearing side characters, this is a love story you’ll wish were your very own. Working together for the first time, Rachel Cohn and David Levithan have combined forces to create a book that is sure to grab readers of all ages and never let them go.”

The Review: Rachel Cohn and David Levithan capture the reality of teenage life in Nick & Norah’s Infinite Playlist, and focus on deep characters from a male and female perspective. Nick and Norah have interesting lives, and as the evening unfolds for them, their lives and choices unfold for the readers. I loved Norah’s independent power, and Nick’s softer self-deprecating side.

Personally, I enjoyed seeing teens at this level. Nick and Norah have already been sexually active, prior to the storyline. They had made choices about drugs and alcohol, and decided for themselves that there really isn’t anything interesting about them. So now what? Now that these traditional hurdles have been overcome, the authors show us a night that changes the lives of their characters, one that is emotionally charged with excitement, sexual tension, decisions, and emotional angst and healing. Nick and Norah have to apply their prior knowledge in new ways, get over their emotional baggage, and determine how to proceed with a new love interest. By providing the reader with both perspectives, Nick & Norah is an excellent read for older YA readers, and adults.

This book struggles with some parents, and in some classrooms and school libraries, because of the language component. Levithan peppers the sections from Nick’s point of view with so many explicatives that they virtually become meaningless. I tend to think that because they make good choices throughout the book, and appear to have made them in the past, that this makes up for the language issue. Nicholle has argued that trading one vice for another is still a vice. She may have a point, but in a market overpopulated by books featuring teens behaving badly, it is refreshing to see teens making good choices. Levithan's opinion? "Who the f&*$ cares if characters use the word f&*$?It harms no one."

So blah, blah, blah, movie. It was PG-13, and the language and “feel” of Nick and Nora’s Infinite Playlist definitely leans toward an “R”. Levithan’s narrative alone would have garnered an “R” rating. A great book for older YA readers was turned into a feel good movie for tweens. A movie that could have been like Superbad, Nick & Norah was turned into something akin to a grittier High School Musical.

Something Extra: Cohn and Levithan were interviewed in 2006 by blogger Little Willow. Their comments offer insight to the novel, and to attitudes about YA fiction in general. (Incidentally, they love the movie. Hmmmm.)

Bottom Line: A excellent read, and a great representation of life in the big city. These teens make good choices, applying their life experience for the better. Popular enough to turn into a film, and now just a piece of flotsam in the fantasy flooded YA market, this book will make you wonder why there aren’t more books out there like Nick & Norah.
Grade: B+

Should YA Books be Content-Rated Like Movies and Video Games?

These comments were originally posted at Nathan Bransford's blog, in response to his question "You Tell Me: Should Children's Books be Content-Rated Like Movies and Video Games?"

As a high school teacher for over ten years, I inevitably have students come back and visit me after I have had them in class. They often tell me “This book changed my life.” That is a powerful statement. Yet that is how we all were at that age. We experienced life changing events on a regular basis in high school. First car, first kiss, first fist fight, first drink, first bouts of depression.

I teach mostly freshmen, ages 14 or 15-year-olds. What if the book that “changed his or her life” was denied that reader because it was rated for +16 and up? Or “R”? Books can show teens that there are alternatives out there, and that the world is wide. Do books save kids from suicide? Do books encourage sexual behavior? Studies show that this really is not the case. Yet, by being presented with the vicarious experiences that some students enjoy when reading YA “problem novels” they can make their own decisions which are based on the moral and ethical codes that they have been brought up with.

When was the last time someone said to you, “This video game (movie) changed my life!” The reading experience is much different than the viewing experience. When you are viewing something, you are watching someone else’s interpretation of events. When you are reading you are interpreting those events for yourself. There is a reason why most people believe that when a film is made from a book, it is a far inferior experience. It is not one's own. The caveat to this argument is that music albums have lyrics that are moving and meaningful and are sadly labeled.

There is no substitute for paying attention to what your kids are reading, watching, playing, and listening to. Parents are the gatekeepers for their own children, not some industry or government agency scapegoat. Allow the gate to remain open.

Review: Story of A Girl by Sara Zarr

The Blurb: "When she is caught in the backseat of a car with her older brother's best friend - Deanna Lambert's teenage life is changed forever. Struggling to overcome the lasting repercussions and the stifling role of "school slut," she longs to escape a life defined by her past.
With subtle grace, complicated wisdom and striking emotion, Story of a Girl reminds us of our human capacity for resilience, epiphany and redemption."


My Favorite Quote: "They never tell you this part in sex ed, how to talk about what you did and why you did it and what you thought about it, before, during, and after."

The Review: In a nutshell, this is what all realistic YA fiction that deals with sexuality is about, and why YA readers read books like Story of a Girl by Sara Zarr. They want answers to these excruciatingly important questions. The social ramifications of developing one's sexuality is constantly present in the average YA reader's life. The story is about a quiet girl who made what she (and her father) considers a mistake when she was in 8th grade, and it is haunting her still, almost three years later, because no one knows how to talk about it.

Zarr portrays the complex family with ease, giving each of her characters a position to operate from, and for the most part allows them to change though the book. Zarr was able to convey feelings of despiration that many teens (and adults) can empathize with, and when the lead character Deanna was falling into her old trap again I was genuinely panicked. I didn't want Zarr to let me down, and she held up her end of the bargain.

I did find the book "tamer" than I expected, and thought the family drama was a bit high for my taste (only because it was everpresent), and the additional -Story of a Girl- sections seemed like a trope that was tacked on and a bit unnecessary.

Something Extra: Sara Zarr also appears to be one of the few authors that regularly updates her blog. At her website there is a treasure trove of material about her and her writing. And there is a great interview with Zarr by Ellen Papazian at Bitch Magazine.

The Bottom Line: With the over-all literary and thematic elements of family, sexuality, responsibility, religion, and coming of age, it was easy to see why Story of a Girl was a National Book Award finalist for Young People's Literature. An excellent read, from an excellent author.
Grade: A-

My Interview Archive

This is a list of interesting interviews from YA authors about their craft:

Sherman Alexie: A Texas Book Festival audio interview with John Jahnski on writng, featuring his books Flight, and The Absolute True Diary of a Part-time Indian.

Laurie Halse Anderson: A "YA Lit Bitch" interview with Ellen Papazian from Bitch Magazine about feminism and craft, specifically featuring Wintergirls and Speak.

Melvin Burgess: an interview with Joanne Stapley on his YA book review blog Once Upon a Bookcase about teen sexuality and writing, featuring his book Doing It.

Kerry Cohen: an excellent Q & A from her website, on her attitudes about adolescent sexuality, and her book Loose Girl: A Memior of Promiscuity.

Rachel Cohn and David Levithan: a blog interview with Little Willow about their YA novel Nick & Norah's Infinite Playlist, the use of language and realism, and excitement over the film version.

Sara Hantz: an interview with Joanne Stapley on her YA book review blog Once Upon a Bookcase about teen sexuality and writing, featuring her book The Second Virginity of Suzy Green.

Joanna Kenrick: an interview with Joanne Stapley on her YA book review blog Once Upon a Bookcase about teen sexuality and writing, featuring her book Screwed.

Ron Koertge: an interview with Sarah Erwin from The Book Source about his writing style and his books The Brimstone Journals and Stoner & Spaz.

Margo Lanagan: an interview at with Jeff VanderMeer at Clarkesworld Magazine on her novel Tender Morsels and the contraversy over its violent content.

Serena Robar: an interview with Joanne Stapley on her YA book review blog Once Upon a Bookcase about teen sexuality, the curent state of sexuality in YA fiction, featuring her book Giving Up the V.

Laura Ruby: an interview with Joanne Stapley on her YA book review blog Once Upon a Bookcase about teen sexuality, the curent state of sexuality in YA fiction, featuring her book Good Girls.

Tanya Lee Stone: an interview with Joanne Stapley on her YA book review blog Once Upon a Bookcase about teen sexuality, the curent state of sexuality in YA fiction, featuring her book A Bad Boy Can Be Good for a Girl.

Sara Zarr: a "YA Lit Bitch" interview with Ellen Papazian from Bitch Magazine about sexuality and Christianity in her book Story of a Girl.

Is There "Too Far" in YA Fiction? Part I

The following comments were originally posted at Once Upon a Bookcase in response to Joanne Stapely’s question, How Far is Too Far in YA Novels?

Young Adult (YA) fiction, like all fiction, is genre specific. Real YA fiction will, by definition, deal with contraversial topics (they call them 'problem novels' after all) like sexuality, independence, violence, and more. Most reading is done with escapism in mind, and often realistic YA fiction allows readers to “try on” a persona for a while, in the privacy of the purely individual reading world. I often feel when reading articles like this one about Tender Morsels by Margo Lanagan, that the real fear for parents (I am one myself) is that children will be exposed to things we, as parents, would rather not expose them to, such as rape and death.

To quote the article, “the truth is that when children are exposed to deeply disturbing scenarios in teenage fiction, they are made painfully aware that the world contains cruelty beyond their experience and their imagination.” First of all, “children” and “teenage” are two different age groups in my opinion. But beyond that, don’t children and teenagers need to know the world contains cruelty? Do we just not allow them to read about the Holocaust because it was gruesome and terrible? Might as well throw The Book Thief by Markus Zusak on that fire then. Wait a second… How many awards has that book won? And the narrator is Death! But I digress… Both The Book Thief and Tender Morsels are Printz Honor books. The ultimate irony here is that Tender Morsels is about exactly this issue, the loss of innocence.

Topics are only controversial because parents have different ideas than their children about what is appropriate for them to read about. Since when do children and their parents agree on anything? I think it is the publishing industry’s responsibility to provide the full range of topics and subject matter, and the readership to decide (by buying the book, or not buying it) what is appropriate.

Here is an excellent interview from Margo Lanagan on Tender Morsels at Clarkesworld Magazine by Jeff Vandermeer