Showing posts with label dystopia. Show all posts
Showing posts with label dystopia. Show all posts

Pfeffer's Last Survivors Series

The Dead and the Gone (Last Survivors, #2)The Dead and the Gone by Susan Beth Pfeffer

My personal rating: 4 of 5 stars

Companion novel. I was never a fan of that term, however, I am now. “the dead & the gone” is cleverly done and taps into themes that young men clearly find interesting: survival, protecting one’s family, sticking to one’s morals in the face of adversity, the list goes on. Written from the third-person limited perspective, instead of the first-person narrations of the other two books in the series, it can stand on its own, or give the reader that deeper understanding of Pfeffer’s fictional world. I am a die-hard post-apocalypse fan, and this series is different in that it gives a bit more hope for our humanity. Most authors jump on the now cliché idea that humans become animals without society. Pfeffer has a little more hope/respect/naiveté about our species.

One of the best words to describe this series is “plausible”. It’s not a flashy word, not something you would think about standard YA fair and pick up because, well, it’s plausible. However, reading this series, and especially the first book, “Life as We Knew It”, I was forced to really consider how I might behave in the same situation. Then I wondered how the “big cities” differed from the country and if a male character would have handled things the same way. Fortunately, we don’t have to wonder, because in “the dead & the gone”, readers get just that.

Some readers looking for a grittier dystopian action-packed romp are in for a disappointment, this isn’t McCarthy’s “The Road.”. I think Pfeffer misses some opportunities to make some bold statements about religion, death, and society in this novel, but she does have some original thoughts and I enjoyed the companion novels better than the third, “This World We Live In” that brings all of the characters together.

View all my reviews

Opening Line: "At the moment when life as he had known it changed forever, Alex Morales was behind the counter at Joey’s Pizza, slicing a spinach pesto pie into eight roughly equal pieces."

Something Extra: Jackie Parker's interview with Susan Beth Pfeffer on her Interactive Reader blog and the series YouTube trailer:

 
Bottom Line: Over-all, this series was a great read. Definately a good selection for the classroom, and it will generate tons of things to discuss.  Girls and guys like this series, the companion novels are written from a female & male perspective.
 
Classroom Grade: A- (Life as We Knew It, the dead & the gone)  B (This World We Live In)

A Hard Worker by Gina Zucker

Tin House Magazine - Issue 33 - Fantastic Women

Gina Zucker’s A Hard Worker is an excellent example of short fiction at its finest. In the tradition of Margaret Atwood’s The Handmaid’s Tale, Zucker’s future for the women in her story is a bleak one. Certain social conditions exist in the future that restrict women in the story to certain roles. In Atwood’s story we are left to the "Historical Note" section where she tells us what eventually ends up happening, at least to humanity as a whole. Here in Zucker’s story, we are limited in scope to a small moment in the narrator’s life, a realization of exploitation. The beauty of fiction is that through Zucker’s story, we can see in a few short pages the exploitation that occurs, where the narrator has lived an entire life before she realizes the truth of the situation.

The simple-minded narrator, Dolly, lives at Mrs. Robert’s Home for Girls (a brothel). She is a member of a service team and she serves her clients with zest and obedience to earn rewards and privileges. Her “sister” Annique was also left on the doorstep of the home, and the girls are raised with others to specifically serve their clients. While on a service call, Annique and Dolly watch a film clip that has been altered to become extremely visually stimulating, almost to the point of causing orgasm. Obtuse Dolly is not affected at all by the film, and is terrified by what is happening to Annique. Dolly is adamant about how they are not to receive pleasure from their clients, and here is Annique doing just that. Dolly ends up confused and runs out of the room after hurting one of the clients.

Zucker combines her complex concept of visual stimulation via chromatic saturation with her narrator’s limited capacity for understanding to explore several social issues. Are the readers to see this as a bleak future, where women are objects, and pleasure isn’t important, or because of our dubious narrator, to see that pleasure is being explored and defined, even worth scientific experimentation and only these prostituted women are being exploited? Is the situation as dire as it appears to be for humanity, or just for poor Dolly? It would appear that Annique may have been purchased and freed of her circumstances, or she may have been sold into a different kind of experimental slavery. Either way, Dolly is a changed person and it seems obvious that her eyes are being opened to the fact that she is being used and refuses to be used in the future.

Zucker cleverly uses the device of s simple-minded narrator to get around dense scientific jargon that may have cluttered the narrative. She doesn’t have to go into the details of how visual stimulation works in her short fiction world, because she is limited to what the narrator Dolly knows and can understand. Even the name Annique is masterful in that is resembles antique and unique. Is the character an antique, in that she should give up being an individual with wants and desires and give in to her lot in life and serve her clients, or is she unique, in that she can take pleasure from them and has held on to her individuality?

In the story, the Janssen brothers (who are the clients the Dolly and Annique are to service) have altered a film clip, possibly from Jaws, to cause physical arousal after viewing. A tip of the cap here goes to the Wachowski Brothers, and a scene in Matrix Reloaded where The Merovingian causes a woman in the matrix to have an orgasm from eating a slice of digital chocolate cake. This theme does not appear to be too far fetched, as many scientists theorize that virtual pleasure is in the near future, as many consider pleasure to only be a matter of sending certain types of electrical stimulus to the brain.

Personally, for pleasure, I'll take more of Zucker's prose.